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Fringe Report is now closed. Fringe Report closed on its 10th anniversary, Thursday 12 July 2012. It remains online as a record of 10 exciting years in the arts. Till July 2013, previously unwritten content is being added to the site from the past 10 years, but we are no longer reviewing new material. You can still write to us on the existing email addresses. Good luck with your shows.

London - The People!

Parties, events, people...

CONTENTS:

Opera Launch - The Rape of Lucretia - Danish Ambassador's Residence - Tuesday 9 December 08
Fringe Report's First Monday - Coach & Horses - Monday 3 November 08
Salon - Kirstine Roepstorff - Danish Ambassador's Residence - Thursday 16 October 08
Fringe Report's First Monday - Coach & Horses - Monday 6 October 08
Reception - Do Not Refreeze - German Ambassador's Residence - Wednesday 17 September 08
London Film Festival Press Launch - Odeon West End - Wednesday 10 September 08 Vilhelm Hammershoi Reception - Royal Academy - Tuesday 24 June 08
Fringe Report's First Monday At The Arts - Monday 2 June 08
Fringe Report's First Monday At The Arts - Bank Holiday Monday 5 May 08
Fringe Report's First Monday At The Arts - Monday 7 April 08

Marriages & Engagements 2008

Opera Launch - The Rape of Lucretia - Danish Ambassador's Residence - Tuesday 9 December 08

Tonight His Excellency Birger Riis-Jørgensen, Danish Ambassador to the UK, hosts the London launch of The Royal Danish Opera's The Rape of Lucretia. The production's key creatives explain the thinking behind it. The audience of 80 consists mainly of journalists, musicians and musicologists - so there's a lot of drink.

The Rape of Lucretia, by Benjamin Britten (1913-1976) and librettist Ronald Duncan (1914-1982), will be performed on The Old Stage at Copenhagen's Det Kongelige Teaters (www.kglteater.dk) from the 24 Febuary to 20 March 2009. PR manager for The Royal Danish Opera is Louise Pedersen.

Director Veronika Kaer (veronika.kaer.dk) speaks compellingly and at length about her version - it's full of passion, virtue, jealousy and lust. She says that The Rape of Lucretia was last performed in its original version at Glyndebourne (UK) in 1946. Dramaturg Beate Wilma explains with fervour that the opera offers a scathing commentary on the Christian conception of shame and the abuse of power. Costume and set designer Nikolaj Trap reveals his vision. Behind his choice of a magical and romantic set, there's a modern yet timeless design of costume, both for chorus and leading roles. Conductor Steurt Bedford is unable to attend because he is conducting somewhere else.

It's said that Veronika Kaer convinced copyright holder the Britten Estate to allow the production by her unique direction - shown in her earlier Blood Wedding by Federico García Lorca (1898-1936). She says that her interpretation of The Rape of Lucretia points to William Blake (1757-1827)'s spiritual message of its original version, providing a meaning which adapted versions have lacked. The presentation is powerful and long, revealing the dedication and care of everyone involved in what's clearly a distinctive production.

Guests at the Ambassador's Residence off Sloane Street (London) tonight include: journalist Bente Engberg, composer Don Kincaid, pianist and musicologist Andrew Plant (www.darnton.net), director Veronika Kaer, dramaturg Beate Wilma, designer Nikolaj Trap. Danish Embassy staff present include Kim Wiesener (Press Officer and Web Editor); Inge Henningsen (Cultural & Press Officer); the Press & Cultural Attaché, Head of Press, Culture and Information; host HE Birger Riis-Jørgensen (Ambassador)

(c) Rebecca Talbot, Danish Ambassador's Residence, London - 9 December 08 - (c) www.fringereport.com

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Fringe Report's First Monday - Coach & Horses - Monday 3 November 08 - 18:30 (23:00)

Here tonight are: Actor Bradley Benjamin. Actor India Rahusen. Producer Sonja Rein. Actor, film & theatre Donella Fox. Display designer Vania Alban-Zapata. Publisher (ThisIsUll.com) Cilla Wykes. Director Ed Bartram. Performer Terry Perkins. Writer, actor and director Drew Davies. Writer Frank Bramwell. Artistic director (Theatre space, Westminster Reference Library) Rossella Black. Actor Sophie Steel. Writer and actor Catherine Balavage. Publicist Dan Pursey. Banker Guillame Tabourin. Jazz booker Dave Mauchline. Chris Swallow. Writer, actor, singer Alison Trower. Actor Ewan Winson. Actor Jennifer Hall. Film events organiser (Stellar Network www.stellarnetwork.com) and writer Sam Howey Nunn. Actor, writer, FR FaceBook Editor Bo Wilson. Actor, writer and director Linda Landers. Publisher Rupert Keenlyside. Artistic director (Landor Theatre) Rob McWhir. Coach & Horses ManagerNeal Ladd. Actor Genevieve Swallow. Pianist and composer Frédérik Steenbrink. Actor and director Philip Lawrence. Clown performer Ben Target. Producer (TenInABed Theatre)Mike Shephard. Actor Clive Greenwood. Writer, designer Michael Spring. Adam Francis. Writer Gabriela Scavuzzo. Anne Debauve. Actor Barry Eccles. Designer (Landor Theatre) Nina Morley. Musician, actor, composer, singer Ezra Axelrod. Audio technical, and Coach & Horses bar staff Robbie Hobson. Architect Steve Newton.

People who pitched their shows/companies: First spot (in running order): (1) Bradley Benjamin, Drew Davies. (2) Philip Lawrence. (3) Sophie Steel, Jennifer Hall. (4) Frank Bramwell. (5) Mike Shephard. (6) Frédérik Steenbrink. (7) Ezra Axelrod. Second spot (in running order): (1) Cilla Wykes. (2) Rossella Black.

Future diary dates for this event and other details are here

All tonight's photographs are here

John Park - First Floor Bar, Coach & Horses, 1 Great Marlborough Street, London W1F 7HG - 3 November 08 - (c) www.fringereport.com

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Salon - Kirstine Roepstorff - Danish Ambassador's Residence - Thursday 16 October 08

The Danish Embassy revives the tradition of the salon for a new generation of artists tonight. Ambassador His Excellency Birger Riis-Jørgensen welcomes sixty guests to his official residence off Sloane Street to a salon for Danish artist Kirstine Roepstorff.

Kirstine Roepstorff's work is exhibited in the Frieze Art Fair (www.friezeartfair.com) in Regent's Park, London 16-19 October 08. It's also in Copenhagen at the inaugural U-Turn Quadrennial Festival for Contemporary Art (www.uturn-copenhagen.dk) until 9 November 08.

Mr Birger Riis-Jørgensen explains that salons were popular with the 16th Century French aristocracy - and later in England with salonniere Elizabeth Montagu. He says that they brought together people with the same (or sometimes opposing) views and interests to discuss their ideas. Women in particular dominated the scene, and salons were the birthplace of the female intellectual 'bluestockings'.

Svelte and articulate Kirstine Roepstorff assures the audience that her stockings tonight are black. She recalls her journey from sculpture to collage via a trip to India, where she discovered 'the power of weak materials'. She describes herself as 'a child of the '70s' who knows little of the history of art. Her work aims to 'appropriate and rearrange... navigating between the already-known and already existing' as she places familiar images together in new and dynamic ways. She says that although she is often labelled political - because of her use of figures such as Winston Churchill in compositions - what is important to her are the 'cultural interaction, the interconnections and energy' which her compositions create.

'Good art is like brain gymnastics... but... professionalism is not making good works every time.' She says that she produced dreadful sculpture for many years as she learned to make art into a language - asking the same question, studying the same theme over and again. There is for all of us, she says 'one real sentence that we keep returning to'. It's important not to close work but to 'let the question be a question'. She plays a short clip from her debut play, which will tour to Copenhagen, London and Spain.

The artist's gallery director Christina Wilson (Galleri Christina Wilson, Copenhagen) remembers how they first met. It was Kirstine Roepstorff's final show at Denmark's Royal Academy of Fine Arts. Everyone else had been setting up their work all day, but Kirstine Roepstorff breezed in just a few hours before the show opened. Those present tonight include: Martin Clark, artistic director, Tate St Ives; journalist Bente Engberg; composer Don Kincaid; Helga Christoffersen, curator assistant, U-Turn Quadrennial Festival for Contemporary Art; Line Rosenvinge, whose brainchild the salon was. Those present from the Danish Embassy include: Inge Henningsen, Cultural & Press Officer; the Cultural Attaché. The embassy may host more salons in the future, involving both British and Danish artists.

(c) Philippa Tatham - Danish Ambassador's Residence, Sloane Street, London - Thursday 16 October 08 - (c) www.fringereport.com

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Fringe Report's First Monday - Coach & Horses - Monday 6 October 08 - 18:30 (23:00)

Here tonight are: Writer and photographer Catherine Balavage. Actor Beth Medley. Film (star of The Rise of The Foot Soldier) and theatre actor Ricci Harnett. Actor Ben Murray-Watson. Actor, writer, producer (Head-Langue Theatre) Nydia Hetherington. Tom Arr Jones . Actor, writer, producer Philippa Tatham. Producer Fran Kirkham. Actor Lieve Carchon. Michael Hunter. Actor Clive Greenwood. Jack Bowman. Radio producer and actor (Wireless Theatre Company) Mariele Runacre Temple. Ffion Jolly. Producer (Ten In A Bed Theatre) Mike Shephard. Artistic director (Upstairs at Three and Ten, Brighton), and actor Nicky Haydn. Writer, actor Caterina Bertone. Coach & Horses bar staff Roberta Freezor. Writer and actor Andrew Doyle. Artistic director (Canal Café Theatre, London), director, actor Emma Taylor. Writer John Fleming. Creative director (Non-Multiplex Cinema) Hermann Djoumessi. Jennifer Hall. Coach & Horses bar staff Jason Young. Poet Leon Conrad. Artistic director Joe Fredericks. Orlando Duchamp. Writer Miles Weaver. Actor and writer Siren Turner. Actor Saskia Willis. Actor and writer Linda Landers. Publicist Anna Goodman. Coach & Horses manager Philippa Moran. Choreographer Racky Plews. Actor Barry Eccles. Ian Black. Producer Sonja Rein. Actor Divian Ladwa. Actor and producer Jane Lesley. Anthony Timmons. Writer Stefan Lubomirski de Vaux . Stephen Brown. Mia Holmes. Producer (Non-Multiplex Cinema) Julian Bushell. Terry Perkins. Tara Kane Jay. Writer Lynn Howes. Comedian Cecilia Holmes. Igor Tojcic. Singer, songwriter Tally Koren. Producer (Ten In A Bed Theatre) Joan Davison. Editor and writer Christopher Ager. Actor, writer Rebecca Talbot. Elin Glennfjord. Writer Michael Spring. Jennifer McFarlane. Isabel Barbuk. Alex Smith. TV producer, PR Alana Pryce. Comedian, actor Jonathan Hansler. Writer Ruth Morris. Producer Hugh de la Bédoyère. Marketing director, Brighton Fringe, Kata Gyongyosi. Comedian Christiaan Oranje.

Prizes presented for Fringe Report's first ever review-writing competition to - joint first prize, alpha order - Caterina Bertone, Gabriela Scavuzzo (presented at FR office, London, the following week), Philippa Tatham. Their reviews are here.

People who pitched their shows/companies: First mic spot (in running order): 1 - Jennifer Hall. 2 - Anna Goodman (Abstrakt Publicity). 3 - Mariele Runacre Temple (Wireless Theatre Company). 4 - Lieve Carchon. 5 - Mike Shephard (Ten In A Bed Theatre). 6 - Tally Koren. 7 - Nicky Haydn (Upstairs at Three and Ten). 8 - Divian Ladwa. 9 - Kata Gyongyosi (Brighton Fringe). 10 - Terry Perkins. Second mic spot (in running order): 1 - Hermann Djoumessi & Julian Bushell (Non-Multiplex Cinema). 2 - Nydia Hetherington (Head-Langue Theatre). 3 - Jonathan Hansler. 4 - Christiaan Oranje. 5 - Cecilia Holmes.

Future diary dates for this event and other details are here

All tonight's photographs are here

John Park - First Floor Bar, Coach & Horses, 1 Great Marlborough Street, London W1F 7HG - 6 October 08 - (c) www.fringereport.com

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Reception - Do Not Refreeze - 18:30 (20:30) - German Ambassador's Residence - Wednesday 17 September 08

The German Embassy London hosts a selection of photographs taken in East Berlin under the strict censorship of the German Democratic Republic (GDR) up until the fall of the Berlin Wall in 1989. The exhibition Do Not Refreeze - it refers to the freezing-out by the Cold War of East German artists such as Ursula Arnold and Helga Paris from the mainstream European arts scene - has already attracted 35,000 visitors on its British tour since it launched in Manchester in 2007.

To celebrate its arrival in London, German Ambassador Georg Boomgaarden opened his home in Belgrave Square on Wednesday, 17 September 08 for a private view of some sixty photos from the main collection. Those present included the recently-appointed Cultural Attaché Cord Meier-Klodt and his team, and artists and social historians from Germany and the UK. Amid the serenity of this impressive Georgian house and its chandelier-hung reception rooms, life under the GDR stared out from the walls in boisterous contrast.

Exhibition curator Matthew Shaul explained that photography was not considered an art-form in East Germany during this period and so was not subject to the same restrictions as, for example, painting or writing - which became little more than propaganda tools. Photographers were more able to snap 'real life': bored children dawdling beside parades, blind post-ladies, derelict streets - even the Wall itself, graffiti'd with lines from poet Friedrich Hölderlin: 'No-one can take the sad dreams from my head'.

The Stasi (Ministerium für Staatssicherheit / Ministry for State Security - the GDR's secret police), not visually literate, were 'very easily steered by verbal interpretations', said the youngest of the exhibited artists Gundula Schulze-Eldowy. She attended the view, tanned and energetic, describing herself nowadays as 'a nomad', wandering the world between her studio in Berlin and a cottage in Peru. 'They couldn't read the iconography' she said, 'The really subversive pictures stayed on the wall, and people generally understood this.'

The photographs showed a great range of style and subject. Curator Matthew Shaul, who uncovered them in 2003, explained how earlier figures like Evelyn Richter ran the enormous risk of being accused of formalist or symbolic compositions in opposition to the state-decreed code of socialist realism. But later artists were able to exhibit in small private art galleries. Gundula Schulze-Eldowy recalled guiding the Stasi around her show: 'They removed a photo of a fat man, a dead man and a nude, and they were satisfied.'

Others, such as Arno Fischer who was on good terms with the authorities, were allowed to travel abroad, so that pictures of an ageing Marlene Dietrich in Moscow and a man from New Guinea were there among photos of students, neighbours, and barbed wire of East Germany. Evelyn Richter, Arno Fischer and his wife Sibylle Bergemann - perhaps one of the most commercially recognisable of those shown - were in professional contact with photographers such as Henri Cartier-Bresson and Robert Frank, revealing that these artists were not as culturally isolated as may be thought.

The works on display included dream-filled landscapes, the great and the small, focused largely on the immediate locality of the photographers. Gundula Schulze-Eldowy pointed out that in 30-odd years the scenery barely changed. Neither perhaps did the people. Girls posing in what looked like knee-length bathing suits for Sibylle Bergemann, or ghostly figures running through the snow, could have been from any decade in the 20th Century.

German Ambassador His Excellency Georg Boomgaarden praised 'the modernity, power and expression' of these everyday scenes, and the 'frailty of even the strongest walls' against 'the power of creativity'. Indeed, many of the photos displayed a vibrant and unapologetic - if difficult - life. But one (English) guest was virulent in his condemnation of the shot of Erich Mielke head of the Stasi from 1957 to 1989: 'He was quite charming, and a complete ....’ In the warm, elegant atmosphere of the Ambassador's Residence, where the quirkiness and humour of the exhibition were the first things to impact, a hard truth nonetheless looked guests and their bucks fizz in the eye. As Gundula Schulze-Eldowy pointed out, reflecting many of the poignant works on display: 'They (the people who had survived the Soviet assault on Berlin) lived alone and in the shadows, unnoticed, until I came and found them.'

The exhibition will remain at the Embassy until 17 January 2009. Viewing is free but by appointment only. To arrange, please email Gabriele Bock, events attaché at gabriele.bock (@) diplo.de. For further viewing of Gundula Schulze-Eldowy's work, see www.berlin-ineinerhundenacht.de. At the same time as this exhibition, the other 120 photos in the collection - including those by Arno Fischer, Sybille Bergemann, Helga Paris, Evelyn Richter, Maria Sewcz, Erasmus Schroeter, Gundula Schulze Eldowy, Ulrich Wüst and Ursula Arnold - are on display at the Djangoly Art Gallery, University of Nottingham, 27 September 08 to 2 November 08. For more details, telephone their box office on 0115 846 7777.

(c) Philippa Tatham - German Ambassador's Residence, Belgrave Square London - Wednesday 17 September 08 - (c) www.fringereport.com

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London Film Festival Press Launch - 10:30 (11:30) - Odeon West End - Wednesday 10 September 08

Around 700 people can fit into Odeon West End's main theatre, and there aren't many empty seat this morning as the 52nd London Film Festival is launched. The scoop is the world premiere of new James Bond film Quantum of Solace (2008), and a minute of it is shown. But probably the main reason that 650 jaded film press have woken up early to get into the centre of London is that this film festival isn't curated by the customary hairy, dirty, fat and smelly men who usually run film festivals, but by two of Europes most outstandingly beautiful - and chic - women.

Amanda Nevill is Director of the British Film Institute (BFI), a quasi-Government organisation which is responsible for the UK film archive and for producing the annual film festival. She says (edited) 'This year the BFI is 75 years old. The National Gallery is 185. The British Museum is 250. We are still the new kids on the block. We have a similar role - film is the most important art form of today. Everybody loves it - it's today's favourite medium. It's the best possible way to understand different cultures. Anthony Minghella, who loved this festival, said 'To watch a film is to borrow somebody else's eyes for two hours' - his words stay with me every day. We know that it's a rare and wonderful thing to remember a film that makes us think again and make our hearts sing. I've always loved the Festival's democratic approach. It nurtures talent and creativity. We are unashamed in our aspirations for the future of this Festival. We have everything here to win. We have generous funders and sponsors'. She names them, including official beer Cobra, The Times, Hewlett Packard, American Airlines, BFI, Sky (a new main sponsor, she says), Mayor of London, Lottery Funds, Film London, SkillSet, Mastercard, Turner Classic Movies, Production Base, Renault, Digital Cinema Media (formerly Carlton Screen Advertising), Moet & Chandon, Green & Black, courier Midnight Express, Georgio Armani Cosmetics, MTV, BBC London, Variety, LoveFilm, 'all the embassies and cultural departments'. Amanda Nevill looks lovely in elegant black trousers wide to the foot, with a gorgeous black tunic, double-breasted with gold buttons, the black contrasting subtly against pretty blonde hair cut to the shoulder.

Sandra Hebron is Artistic Director of the London Film Festival. She says (edited) 'This year there is an unprecedented number of premieres: 15 world, 14 international, 20 European. I'm delighted so many are choosing London for premieres. There are 130 shorts, a broad range of special events. We'll take over Trafalgar Square for two nights of screenings. I'll pick out a few key themes. There's the premiere of Frost/Nixon (2008), set to be one of the films of the year with key roles for British actors. The closing night gala is Slumdog Millionaire (2008), with a real wealth of talent from Britain and India. A common theme to both is the power of tv. There are 15 other galas. A pleasure has been the discovery of a particularly strong showing of British film. There are films from 43 countries, from student radicalism in Japan to an unorthodox Spanish biblical tale. Achive selections include Once Upon A Time In The West (C'era una volta il West (1968)), forty years old. There are opportunities for filmmakers to meet, from formal occasions to informal Q&A's - over 400 international writers, directors and actors will be here to talk about their work. Three words - politics, history, memory - came to me to sum up this year's Festival. I'd like to thank everyone, including Fig Tree who designed this year's Festival image.' Sandra Hebron looks lovely in couture black dress to the knee with straps to the the shoulders and arms and gathered top, and tall black leather boots; her elegant light brown hair is cut page-boy style.

A 31-minute film is shown - the clip reel - with one-minute extracts from 30 films illustrating the scope of the Festival. In running order with brief comments on the chosen clips they are: Frost/Nixon (2008) - David Bowie's Fame is the soundtrack over a short summary of the build-up before UK journalist David Frost interviewed former US President the late Richard Nixon on tv. Slumdog Millionaire (2008) - children in India rummage through a rubbish heap and run through dirty streets and rubbish chased by a policeman. W (2008) - In the wild West, a man hits someone in a car: 'You're a Bush, act like one' . Gonzo: The Life and Work of Dr Hunter S Thompson (2008) - a documentary clip with people talking about the late (suicided) American journalist of the title. Che aka Guerrilla (2008) - Two men, presumably Fidel Castro and Che Guevara smoke in a tent at night and speak Spanish, discussing Havana. Waltz with Bashir (2008) - anthem 'I bombed Sidon Today' sung as cars blown up; Lebanon is discussed; animation in washed-out colours with voice over. The Brothers Bloom (2008) - 'Were taking a steamer' says Robbie Coltrane's character - people are planning a heist in St Petersburg; cars blow up; action adventure. Franklyn (2008) - in a future society a detective - a man in a Spiderman-type mask - is investigating a faith called Duplex Ride; the scene's set in a bar that looks like an old church. The Secret of Moonacre - there's a Gothic-type house, and people in old-fashioned clothes, one an Alice-In-Wonderland-type girl; 'A little bit of magic has come back to the valley' says a voice. Genova (2008) - a car's being driven through a magnificent old city - Genova in Italy - with gorgeous buildings; a woman talks to a younger person in the car about St George being the patron saint of Genova. The Other Man - a woman and a man are having a relationship discussion; she asks him 'Do you want to sleep with someone else?'; there are intense close-ups. Caos calmo (2008) aka Quiet Chaos - 'What happened when you and your brother jumped in the sea?' sounds like shameless exposition; a woman and man talk intently in Italian. Easy Virtue - a girl looks through a telescope, and drops it, it's caught by a footman; it's a stately home in England; the family have tunnel-vision (literally); 'Mr John and his wife are about to arrive' - they do, but she's American; (this one looks brilliant). Sveitabrúðkaup (2008) aka Country Wedding - the clip is shot inside a car as a family travel to a wedding; bride and mother argue about the pearl earrings she'll wear, as they are of different sizes - will her ears look odd? Profils paysans: la vie moderne (2008) aka Modern Life - an elderly (?Vietnamese) couple sit in their restaurant kitchen in France talking to an interviewer, whose back is seen; about their lives, about when they married; they eat, and encourage the interviewer to. Hunger (2008) - the setting looks like a prison; a man is in his cell; he's naked to the waist; then queuing with others for civilian clothes; back in his cell, he has a fit of rage. Of Time and the City (2008) - Old news footage in black and white of a football match, the crowd, the players; with Noel-Coward-type-accented voice-over recalling those old days. Touki Bouki (1973) - Senegal, Africa; has a 1950s feel to the film colours; at the seaside, men in a pedalo, women in beach costumes; a woman's voice sings operatically over. Entre les murs (2008) aka The Class - a white male teacher of teenage girls is picked up on the names he gives characters in an example he's given; there's talk of honkies, whiteys; some pupils are black; one white girl pupil argues about white names being used instead of black ones. Shifty (2008) - a playground; men talk in East End London accents and spin round on roundabout straps. Tight Jeans (2008) 3 black men in jeans sit on a wall on a UK council estate (project); a boy walks past; they look at him, closely examine his bottom, and comment on his tight jeans. Hamlet 2 (2008) - a woman talks American in a bar; she's with two men (one played by Steve Coogan); they're all drunk and talking; 'We live in Tucson'. The Secret Life of Bees (2008) - Honey bees; a pink house where black women live; it's set in the past in America; a young white girl comes to them asking them to take her in. Vicky Cristina Barcelona (2008) - a Spanish man and woman; a girl comes into their life; romantic overtones and looks like trouble coming. Achilles to kame (2008) aka Achilles and the Tortoise - Japanese girls pose in bikinis for a Japanese photographer; a man (in 'surrealist' style) bats dye over white circles. Beautiful Losers (2008) - A 1997 group show of independent artists; a man speaks about exhibiting them; with music over. 1234 (2008) - a band, four people, sing and talk between themselves; possibly in a village hall; one boy has glasses and is picked on. Lake Tahoe (2008) - Spanish language; a young man customer talks to a young woman shop assistant across the counter of her old-fashioned general store / tobacco shop; he's trying to explain what he wants; they look at each other. Tyson (2008) - former boxer Mike Tyson is filmed; he has a lisp; he's walking, he's in close-up; documentary-style clip as he talks. Quantum of Solace (2008) - (it looks stunning); Judi Dench's M is keen to stop James Bond; 'We have people everywhere'; James Bond (Daniel Craig) walks in shirt without jacket, with gun.

John Park - Odeon West End, Trafalgar Square, London - 10 September 08 - (c) www.fringereport.com

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Reception - Vilhelm Hammershoi: The Poetry of Silence - 18:30 - Royal Academy of Arts, London - Tuesday 24 June 08

The opening of a new exhibition in the gilded halls of the Royal Academy of Arts attended by everyone from the striking HRH Crown Princess Mary of Denmark to Michael Palin is hardly a fringe event. But then again, it would be hard to guess what Vilhelm Hammershoi (1864-1916) - a notoriously reserved Danish fin-de-(19th)siecle painter whose muted interiors, empty exteriors and grey tones (Ibsen on canvas) were rejected for prizes by the Royal Danish Academy of Fine Arts - would have made of this reception. It is in honour of 60 of his paintings, under the title Vilhelm Hammershoi: The Poetry of Silence. The exhibition will remain at the Royal Academy until 7 September 08. Tonight stockbrokers mingle with Royal Academicians - in medals and velvet jackets - sip wine and gossip. There's an obligatory harpist in the corner; smells from a startling collection of fish and nibbles fill the glass lift up to the exhibition; and neatly-dressed girls offer things on sticks.

Guests include Her Royal Highness Princess Benedikte of Denmark, His Excellency Birger Riis-Jørgensen the Danish Ambassador to the UK, Brian Mikkelsen the Danish Minister for Culture. Hammershoi, the 'quiet subtle Dane' (as wild-child-architect-turned-Royal-Academy-President Sir Nicholas Grimshaw CBE describes him in his opening speech), has, after a century of obscurity, taken centre-stage.

Her Royal Highness Crown Princess Mary of Denmark opens the reception in cool and husky tones. She describes how Hammershoi possessed a particular fondness for Britain, its grey skies and melancholy reminding him of Copenhagen. Indeed, London and Rome were the only cities outside Denmark which he ever painted. Drawings of the British Museum, inside and out, are included in this exhibition.

Like the gaudy pictures of Gaugin (1848-1903) and Matisse (1869-1954) in his own time, the clothes of people present tonight rather overshadow those in Hammershoi's works - from the red jacket belonging to a venerable footman announcing each person's arrival up the marble entrance staircase, to a purple-skullcap-and-feather hat on one particularly noticeable head. Brightly-dressed real women stand side-by-side with those in Hammershoi's paintings, the painted ones with a still and puritanical calm. They present a mirror of opposites to the outside world, posing with backs nearly always turned and heads bent, so that the only light comes from their white, curved necks.

Michael Palin says he has been a fan of Hammershoi since finding a book about him in a second-hand bookshop in Paris. He made a TV documentary on the artist in 2005. With his familiar wit and good nature, Palin speaks of the 'powerful sense of stillness' in the work, and how in today's bustling, high-tech high-speed times, Hammershoi provides a 'beguiling picture of restraint', requiring looking closely at a few things. His, Palin suggests, was 'the first recorded instance of modesty mania'.

It is not easy to follow a national treasure and former Monty Python man, so it is a little unfair to give this duty to the exhibition's sponsor, pharmaceutical company Novo Nordis. Head of the UK office Viggo Birch delivers a speech later described as like listening to a church sermon, although he does try to throw a few jokes in, and a voice in the audience can be heard after one of them whispering optimistically 'Well, that's funny'. Perhaps, however, this is the most fitting tribute of the evening to Hammershoi who lived quietly and - as even the programme-notes confess - uneventfully, with his wife Ida until his early death from throat cancer in 1916.

The collection will move to The National Museum of Western Arts in Tokyo when it leaves London in September. Tickets to view Vilhelm Hammershoi: The Poetry of Silence cost up to £8 and are available by telephone, 0870 8488484, or online at https://ratickets.org.uk/welcome.asp. More information at the UK Royal Danish Embassy website - http://www.amblondon.um.dk/en

(c) Philippa Tatham - Royal Academy of Arts, Piccadilly, London - Tuesday 24 June 2008 - (c) www.fringereport.com

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Fringe Report's First Monday At The Arts - Arts Theatre 18:30 (23:00) - Monday 2 June 08

Here tonight are: Deborah Wastell, Chris Paddon, Simon Naylor, Matt Harris, Colin Goodwin, Linda Landers, Aga Janiszewska Arts Theatre - Bar), Rob Wainwright, Alex Lombardo, Padraig Hyland, Stephen Newton, Chris Timms, Damian Kell, Katie Jackson, Glenn Barrack, Anthony Timmons, Emma Taylor, Naomi Cooper-Davis, Rebecca Windsor, Alex Dower, Martin Witts (Arts Theatre - Director), Jane Lesley, Miranda Newton, Paul Levy, Simon Dale, Jo Merriman, Malvina Chudzinska (Arts Theatre - Bar), Nicola Haydn, Lheila Oberman, Tracy Keeling, Hugh de la Bédoyère, Tony Sands, Saskia Willis, James Haslam, Christopher Ager, Debra Low, John Park, Emily Agnew, Jeff Thomson, Elin Morgan, Richard Barrett, Julie Ruck, Jonathan Hansler, John Fleming, Catherine Balavage, Bertold Wiesner, Peter Greenwall, Holly Payton, Candice Earle-Hutton, Claudia Nettleford, Sarah-Louise Young, Mike Sarne, Robert McWhir, Clive Greenwood, Philip Lawrence, Tara Paulsson, Amy Hastings (Arts Theatre - Reception), Cat Jones (Arts Theatre - Technical), Alfie Talman, Rebekah Watson, Nina Morley, Michael Spring, Gilda Frost (Arts Theatre - Theatre Manager), Victoria Johnston, Max Ferreira (Arts Theatre - Front Of House Manager), Lewis Schaffer, Flavia Fraser-Cannon, Theo Bosanquet, Rowland White, Alex Carson, Beverley Mason, Dave Mauchline, Rob Broderick, Alison Trower, Natalie Haverstock, Georgina Edwards, Sean Duffy (Arts Theatre - Technical), Paul Dunn.

People who pitched their shows/companies: First mic spot (in running order): Deborah Wastell, Paul Dunn, Theo Bosanquet, Paul Levy, Peter Greenwall, Simon Dale, Alfie Talman, Tracy Keeling, Nicola Haydn, Elin Morgan. Second mic spot (in running order): Sarah-Louise Young, Dr Bruce Wall, Holly Payton, Lewis Schaffer, Rowland White, Clive Greenwood and Jonathan Hansler, Lheila Oberman, Rob Broderick, Padraig Hyland, Rob Wainwright.

Future diary dates for this event and other details are here

All tonight's photographs are here

John Park - Arts Theatre, 6-7 Great Newport Street, London WC2H - 2 June 08 - (c) www.fringereport.com

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Fringe Report's First Monday At The Arts - Arts Theatre 18:30 (23:00) - Bank Holiday Monday 5 May 08

Drinks tonight at London's Arts Theatre. People there include: comedy writer and actor Ricky Payne (Wombman), actor James McLaughlin (Slap In The Face Theatre www.slapinthefacetheatre.com), director Tamsin Fessey (Angel Exit Theatre www.angelexit.co.uk, The Black Curtain), actor Jonathan Dunstan (Angel Exit), actor and Fringe Report FaceBook editor Bo Wilson, actor Ed Bradshaw, actor Catherine Campbell (Slap In The Face), producer Sarah Clews, actor Genevieve Cleghorn (Les Femmes Célèbres www.lesfemmescelebres.co.uk), actor Alice Kahrmann (Les Femmes Célèbres), actor Tony Hirst, director Joan Davison (Ten In A Bed Theatre www.teninabedtheatre.org, actor Mike Shephard (Ten In A Bed Theatre), actor Caterina Bertone, Barry Eccles, producer, performer and artist Kev F Sutherland (The SitCom Trials, The Scottish Falsetto Sock Puppets Theatre, director Remy Bertrand (Imprology www.imprology.com), actor Maxine Ridout, comedian and writer Gill Smith, actor and producer Mariele Runacre Temple (The Wireless Theatre Company www.wirelesstheatrecompany.co.uk), playwright Stuart Price (Wireless Theatre, and ASAP), producer Frances Kirkham (Wireless Theatre), actor David Calvitto (The Shawl), writer Alice Josephs, Sean Duffy (Arts Theatre, technical department), Julie Sproule (Arts Theatre, technical department), Malvina Chudzinska (Arts Theatre, bar), Ana Gorska (Arts Theatre, bar), Gilda Frost (Arts Theatre, theatre manager), choreographer and actor Racky Plews, publisher Husam Asi (UK Screen www.ukscreen.com), journalist and film-maker Jason Korsner, actor Clive Greenwood, comedian and musician Rosie Wilby, actor Natalie Haverstock (Durang Durang, Howard & Mimi, actor Dean Haglund (www.deanhaglund.com), director John Kay Steel, actor Amy Hastings (Arts Theatre reception), producer Declan Hill (The Sitcom Trials), producer Simon Wright (The Sitcom Trials), actor Divian Ladwa, press & marketing PR Tom Atkins (Theatre 503 www.theatre503.com, playwright Caroline Gold (Howard & Mimi), Emma Taylor (director, The Shawl; producer, www.newsrevue.com; artistic director Canal Café Theatre), Hugh de la Bédoyère (producer, www.newsrevue.com; theatre manager Canal Café Theatre), artist Agnes Poitevin-Navarre (www.cushionculture.com), artistic director Robert McWhir (Landor Theatre www.landortheatre.co.uk), designer Nina Morley (Landor Theatre), artistic director Debra Low (Jacaranda Theatre, www.jacarandatheatre.com, Sleeping Rough), actor Alexandra Harris, actor Anthony Timmons, actor Saskia Willis, comedy producer Kayla Forde (Kayla's Comedy), director Ed Bartram, director Graham Frost, actor Christina Economou, bitch Suki (toy poodle, age 5).

There's a couple of mic spots where anyone can promote their show for one minute. In the 8pm slot in appearance order tonight: James McLaughlin & Catherine Campbell (Slap In The Face Theatre); Tamsin Fessey & Jonathan Dunstan (Angel Exit Theatre); Genevieve Cleghorn (Les Femmes Célèbres); Ricky Payne (Wombman); Mike Shephard (Ten In A Bed Theatre); Kev F Sutherland (The SitCom Trials); Mariele Runacre Temple (The Wireless Theatre Company); David Calvitto (The Shawl); Tom Atkins (Theatre 503); Natalie Haverstock (Durang Durang); Anthony Timmons. In the 10pm slot: Gill Smith, Debra Low (Sleeping Rough), Husam Asi & Jason Korsner (UK Screen), Ed Bartram. The mic spots will feature at the next event on 2 June, possibly slightly earlier; they are open to anyone - just see the MC on arrival.

Future diary dates for this event and other details are here

All tonight's photographs are here

John Park - Arts Theatre, 6-7 Great Newport Street, London WC2H - 5 May 08 - (c) www.fringereport.com

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Fringe Report's First Monday At The Arts - Arts Theatre 18:30 (23:00) - Monday 7 April 08

Drinks tonight at London's Arts Theatre. People there include: writer, actor and producer Philippa Tatham, choreographer, actor and director Racky Plews, actor Philip Lawrence, writer Matt Harris, actor Joe Connor, actor and producer Veronica Humphris, Stephen Evans; technical director for the night is Andrew Ivanov; actor Natalie Haverstock, bachelor playboy Rupert Keenlyside, actor Daniel Jude Gennis, actor and artist Rick Alancroft; front of house manager for the night is Lisa Mendes; Ben Smith, Dave Barlyfield, comedy booker and events manager Philip Goodeve-Docker, legendarily gorgous PR Mel Brown, actor Saskia Willis, actor Helen Worsley, music booker and producer Dave Mauchline, PR Elin Morgan, artist Charlotte Evans, actor Sally Eyl, producer John Plews, Tom Arr Jones, actor Pete Ashmore, writer Linda Landers, writer and artist Samantha Darling, producer Caroline Staunton, actor, writer, director and producer Tracy Keeling, actor Genevieve Swallow, technical director Geoff Hense, Arts Theatre bar staff Malvina, actor and singer Emily Green; writer, director, producer and comedian James Campbell; writer Michael Spring, Arts Theatre bar staff Aga Janiszewska, performer James Haslam, PR Madelaine Bennett, comedy manager Nicola Mason-Shakspeare, actor Chris Paddon, actor Alexandra Harris, director and actor John Kay Steel, PR Dan Pursey, Max Perryment, writer and producer Glyn Cannon, comedy actor Liam J Stratton, Sam Bailey, legendary rock and roller, actor and director Michael Sarne, producer Katie Plews, Arts Theatre reception Neil, actor and director Virginia Taroni, writer, director and actor Fiona Doyle, film director Jade Carmen, comedy actor Rob Clyne, producer, publicist, actor and photographer Flavia Fraser-Cannon

This is a regular monthly event so that people in the theatre, comedy and arts businesses who usually know each other just by email, text and FaceBook can meet in the flesh. Tonight there are also a couple of spots where people can go up to a mic and give short details of shows they have coming up in the next month. The evening is more social than networking, but with the opportunity for some shameless promotion. Future diary dates for this event and other details are here

All tonight's photographs are here

John Park - Arts Theatre, 6-7 Great Newport Street, London WC2H - 7 April 08 - (c) www.fringereport.com

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Marriages & Engagements 2008

Congratulations, and every happiness to those being engaged or married this year. Rachael Booth and Guillerme married on Friday 20 June 2008 in the City of Cayma, Peru; followed by a reception at El Labrador on the road to Chilina.

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- (c) www.fringereport.com

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- (c) www.fringereport.com

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